Statement
When I first encountered printmaking, it was like love at first sight.
I have tried working with a variety of techniques over the years; drawing, painting, intermedia arts, etc. but it has always been printmaking that was a clear fit. Print, with its unique aesthetics, wide range of expression, importance on both technical and creative, brought a sense of fulfillment to my artistic creation.
I work with an ever-increasing range of print media; lithography, linocut, wood engraving, monotype and woodcut. Each has its own qualities and distinctive methods. I truly enjoy the entire process of printmaking - planning, preparing plates, printing, problem-solving; the craftsmanship involved.
Working with my hands and being involved in every aspect of my prints, even the most time-consuming details, allows me to feel a real connection with my work.
In contrast to working with very traditional techniques, I am interested to express the feeling of ‘now’, ‘the present’ through my subject matter. I am an observer, constantly watching. I am drawn to people, the workings of society, our interactions- this is what drives me to create.
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About
Valerie Syposz (born Ottawa, Canada 1984) received a BFA in painting and drawing from Concordia University in 2008. In 2010, she was selected as a MEXT Japanese Government Scholar recipient and moved to Japan. She completed a MFA in printmaking from Tokyo University of the Arts in 2013. Her work is centred on traditional printmaking (e.g. lithography, linocut, wood engraving) often embellished with other techniques after printing. Valerie frequently participates in international exhibitions and artist in residence programs. She has held solo exhibitions in Canada, Japan, Australia and Norway.
